Artist of the week is Salvador Dali. His works inspire me to push the limits of glass to the extreme and think outside of the normal glass blowing of glasses, bowls, and small figures. It pushes me to find hew ways of sculpting with the glass. I love this piece called "The Eye" and it can be found at http://www.virtualdali.com/#galleryClassic1. Here is his bio. from the same web site. As an art student in Madrid and Barcelona, Dalí assimilated a vast number of artistic styles and displayed unusual technical facility as a painter. In the late 1920s, two events brought about the development of his mature artistic style:

• His discovery of Sigmund Freud's writings on the erotic

significance of subconscious imagery; and

• His affiliation with the Paris Surrealists, a group of artists

and writers who sought to establish the "greater

reality" of man's subconscious over his reason.

Surrealism

To bring up images from his subconscious mind, Dalí began to induce hallucinatory states in himself by a process he described as “paranoiac critical.” Once Dalí hit on this method, his painting style matured with extraordinary rapidity, and from 1929 to 1937 he produced the paintings that made him the world's best-known Surrealist artist.

He depicted a dream world in which commonplace objects are juxtaposed, deformed, or otherwise metamorphosed in a bizarre and irrational fashion. Dalí portrayed these objects in meticulous, almost painfully realistic detail and usually placed them within bleak, sunlit landscapes that were reminiscent of his Catalonian homeland.

Perhaps the most famous of these enigmatic images is "The Persistence of Memory" (1931), in which limp, melting watches rest in an eerily calm landscape.

With the Spanish director Luis Buñuel, Dalí also made two Surrealistic films:

• Un Chien andalou (1928; An Andalusian Dog); and

• L'Âge d'or (1930; The Golden Age).

Both films are similarly filled with grotesque but highly suggestive images.

Renaissance

In the late 1930s, Dalí switched to painting in a more academic style under the influence of the Renaissance painter Raphael, and as a consequence he was expelled from the Surrealist movement.

Thereafter, he spent much of his time designing theatre sets, interiors of fashionable shops, and jewelry, as well as exhibiting his genius for flamboyant self-promotional stunts in the United States, where he lived from 1940 to 1955.

In the period from 1950 to 1970, Dalí painted many works with religious themes, though he continued to explore erotic subjects, to represent childhood memories, and to use themes centering on his wife, Gala. Notwithstanding their technical accomplishments, these later paintings are not as highly regarded as the artist's earlier works.